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John & Jessica Trippe have relocated to Portland, Or and are busy getting settled in their new city.
Photos from our opening with Dave Kinsey for his show THE MODERN CONDITION on August 14, 2015.
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By Rachel Ralph
What makes you want to buy a piece of art? Is it an intrinsic draw to the work itself? Is it the artist’s name? Is it due to decorative preference? Is it an investment?
As I write this I realize that I cannot answer it for myself and certainly not for others. The works in my collection (which is existent, albeit small) were attained due to factors like attraction, price, and frankly timing according to my bank account. There is no one answer as to what makes me want to buy art, as I see it as a much larger picture than amassing objects to adorn my walls.
That larger picture is the support and fostering of an arts community. We constantly hear a focus on “supporting the arts” ranging from federal grants to small nonprofits, but how an individual supports the arts can vary greatly. You can volunteer, donate, and attend art events to show support, but you can also support the artists in your community directly by buying their work – and you will still get a coveted piece of art to place in your home.
Read a few articles on collecting art and you’ll find that this direct support of artists is often overlooked. Collectors list their financial and cultural desires in the act of collecting works, but they often fail to realize the effects these purchases have on the artists themselves. Maybe it’s an unintended benefit of collecting work, but by buying these works from living artists, these collectors are literally putting food on their tables and clothes on their backs.
I find this kind of support to be especially important in arts communities like our own here in the Bay Area. We live in one of the most expensive locales in the country, to which many of us are attracted to because of the creative energy, and artists have to pay rent too, often on both an apartment and a studio to work in. Buying work from them will allow these rents to be paid, and maybe even electricity for a few lights as well.
So why write this today? I can’t help but think about how we support our local arts community while sitting in a room filled with local (and affordable) art. Our current show by Ryan De La Hoz is a perfect example of how to make and collect art in our current climate. The largest and most expensive works are only 22” x 28” and top out at $650. This is determined by the fact that De La Hoz works out of his bedroom and can only make things that will fit on his desk and the fact that he wants to make his work accessible to local and emerging collectors.
In this one example, an artist is reflecting upon the current state of their culture, creating aesthetic objects, and keeping them affordable for their audience. And while this may seem like a ploy to boost sales (and it may very well be) my goal is to use this example to spark interest in making, collecting, and displaying local art. After all, if we want to complain about the decline of the San Francisco we love, maybe we should reflect upon our own ability and desire to support living artists here in the city.
So, if your bank account allows, and you’re interested in providing this kind of support, let me know. I know of a few artists and galleries that I would be happy to connect you to.
Photos from our opening May 29th for "Impassable Terrain" by Ryan De La Hoz.
A few photos from the opening of "Inside Voices" with Kelly Tunstall and Ferris Plock.
A few photos from Curiot's opening on March 27th.
A few photos from Mike Giant's opening back in February.
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Thanks to Alan Bamberger of Art Business for rolling through the opening of Jeremy Fish's Yesterdays and Tomorrows @FFDG (running through Sept 13th).
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View the post here (scroll down)
Volkswagon asked JeremyVille, Jeremy Fish, Jeff Soto, Cody Hudson and Andrew Bannecker to each design a VW Golf for their city - Here's Fish's San Francisco themed VW Golf below.
Speaking of jeremy Fish, his show "Yesterdays and Tomorrows" is set to end this Saturday, Sept 13th. If you've yet to see the show, get to FFDG in SF's Mission district to view it. 2277 Mission St.
You can also view some of the show here online and purchase original drawings and prints at FFDG.NET
Check out our new sign which Jeremy Fish did for his show "Yesterdays and Tomorrows" running through Sept 13th at FFDG in San Francisco.
Do we sell shark cameras? Art shark cameras?... Hey, do you spy musician vpn数据安全 in the pic below?
Maybe you've seen Jim Houser's work gracing the bottoms of Toy Machine boards of yesteryear - We got an email this morning from the creator of a new board company Spectrum who just put out this Jim Houser board.
Jim Houser's solo show NIGHT GOT QUIET - NOT QUITE LIGHT ran last month at FFDG here in San Francisco. vpn数据安全.
Via The San Francisco Chronicle - August 14, 2014
Anyone who has lived through the last two tempestuous decades in the Bay Area knows they bear remembering. So it somehow makes perfect, surreal sense that, in honor of North Beach artist Jeremy Fish's 20th anniversary in San Francisco, he would resuscitate his anthropomorphized familiars - this rapping grizzly and that skateboarding doggie - mashed up with the bay's enduring and ephemeral sights and signs. "I'm not a generally communicative man," Fish confesses by phone. "I have a small circle of friends. I'm not as social as I was. So it's the equivalent of a guy who bitches or cheers about stuff he loves or hates. I've found this is my voice. This is the way I can stand up and say, 'This is what I love or hate.' " We talked to Fish about "Yesterdays and Tomorrows."
Q: What made you want to revisit these images?
A: Everything I make starts out as an 11-by-14 pen-and-ink drawing on Bristol board since I've been living here. At some point, when I had thousands of them, I thought it would be cool to fill a room with these. I moved here in August 1994 to go the Art Institute, and (FFDG's director and curator John Trippe and I) both worked at the same skateboard magazine ("Slap"). Why not do it at my friend's gallery after 20 years in this city?
SAN FRANCISCO --- Things are heating up here at FFDG as we prepare for the opening of Yesterdays and Tomorrows, a solo show byJeremy Fish. Show details - vpn数据安全 - inquires: info(at)ffdg.net
Friday, Aug 15th (6-9pm) - FFDG - 2277 Mission St., San Francisco, California
Yesterdays and Tomorrows by Jeremy Fish, opening Friday, August 15th at FFDG in San Francisco, is a celebration of Fish’s 20 years of living in San Francisco. With that in mind, we wanted to bring this mural to life in, and literally on, some of the places that his drawings depict. We hope our readers will come celebrate on August 15, 2014, when we project this animated mural once again across from Fish’s art opening at vpn数据安全.
Jeremy Fish opens a new solo show August 15th at FFDG.
Jeremy Fish celebrates 20 years in San Francisco with his upcoming solo show featuring both new and old works spanning his fine art and illustrative career.
Opening: August 15 (6-9pm)
Preview inquires: info(at)ffdg.net
"At first glance, Fish's images seem to be rooted in an alternate world -- a world where gnomes travel via saddled dachshund-back and birds of all nations hatch adorned with the heads and hairstyles of every human stereotype imaginable. The bold, precise outlines give his ideas an immediate impact, but it's the aftertaste that really cuts deep. Everything comes with a story. -Aesop Rock. continue reading
Jim Houser in front of his work at FFDG on July 11th
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Hours: Wed thru Sat (1-6pm)
This past weekend, Philadelphia-based artist Jim Houser opened his solo show at FFDG in San Francisco. Titled ?Night Got Quiet, Not Quite Light.? The exhibition consists of Houser?s highly recognizable patchwork assemblages, as well as some minimalist mixed media works and site specific installations. Predominantly confined to his signature square format, this new show is a continuation of Houser?s exploration into the relationship between the visual and the aural. The interplay between text and imagery in Houser?s work makes way for an emotional narrative open to the interpretation of the viewer. Playfully rendered and meticulously composed, Houser acts as a visual storyteller, evoking an unencumbered youthful sentiment. -vpn数据安全
Visitor browsing prints at Lotte Arts and Tiny Splendor's pop-up at FFDG in June.
Last month Lotte Arts, in collaboration with Tiny Splendor, opened a weeklong print show, Paper & Pressure. The show, held at FFDG, featured 16 California printmakers, including Kenneth Srivijittakar and Peter Baczek.
An artist talk given by veteran printmaker, Doug Minkler at FFDG
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Paper and Pressure included evening classes: a comic arts workshop led by Kane Lynch, a lettering workshop led by Sean Vranizan and Kel Troughton, and an artist talk given by veteran printmaker, Doug Minkler.
